Staff Engineers

Joe Lambert, a music lover since childhood, hadn't really considered ever spending his life NOT in the music world. Shaped by the music he loved and the bands he played in throughout his youth, Joe "heard the call" early and has never looked back. After getting his degree in Communications, Joe started working toward a degree in Recording and Audio Engineering at Full Sail Center of the Recording Arts.

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After working his way up and paying dues at several facilities, Joe became the house engineer at New York's Ground Zero Studios in 1995, doing audio mastering as well as live recording, mixing, tracking, sequencing and re-mixes. He then moved into Classic Sound in 1999 as a full-time mastering engineer. Now in his new room at Trutone Mastering in midtown Manhattan Joe is surrounded by his favorite hand picked mastering equipment.

Joe has developed a worldwide client base, working with a wide variety of record labels and artists including Kanye West, Warren Haynes, Stephen Sondheim, Clap Your Hands Say Yeah, Marc Broussard, Angelo Badalamenti, The Bottle Rockets, Wyclef Jean, Don Byron, R Kelly, Alice Cooper, Mandy Patinkin, Amber, Stephen Lynch, Ted Nugent, Athletic Mic League, Eagle Rock Entertainment, Relativity Records, V2 Records, Nonesuch, Internet Direct, Artemis Records, Arista, Red Hot Records and Anthem Records.

Recently Joe mastered 2 Grammy nominated records, Don Byron's "Ivey-Divey", nominated for Best Jazz Album, and "Assassins" for Best Musical.

While Joe Lambert has gained a huge reputation as a "rock n' roll guy" he has, in fact a wide ranging set of ears, and is equally adept at mastering pop, hip hop, rap, jazz and classical. His attention to detail, technical know-how and built-in musicianship make him the ideal mastering engineer for virtually any music genre as musicians, producers, and labels around the world have discovered.